偏執症者 (Paranoid)
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Reviews – Praise No Deity

A three-song barrage of Scandinavian-influenced d-beat and why not? After all, Paranoid is from Sweden despite their name, song titles, and lyrics all being translated to Japanese. “Mirai Sensou” is a mid-paced apocalyptic stomper while “Chissoku” churns out a traditional Hear Nothing, See Nothing, Say Nothing era Discharge-style banger before being interrupted by “Gyakusatsu Gambou,” the closer that invokes the wrath of fellow Swedish gods Totalitär. There you have it, the d-beat trinity for success: the stomper, the banger, and the closer. What more do you need?
//Razorcake, Juan Espinosa, 31/01/2018

Three new songs from Paranoid. Obviously, they’re great. Tightly and perfectly constructed, but wayward and raging. Riffs that scythe through the top of your head like an expertly-wielded machete; vocals damaged by FX but staying just the right side of incoherent. Ripping solos and a canny knack for dynamic that belies the ostensible D-beat simplicity. Can they do no wrong?
//Collective Zine, Alex Deller, 12/08/2017

Propaganda

Upcoming Shows

13/04/2023 – London (GBR), Birds Nest
14/04/2023 – Bristol (GBR), Dareshack
15/04/2023 – Sheffield (GBR), Lughole
16/04/2023 – Bradford (GBR), 1in12 Club
29/04/2023 – Östersund, Gamla Tingshuset
Paranoid 2012-2017 - Northern Winds Of Brutal Hell Mangel | MMXIII